Waiting (Standing in Line at a Federal Building, Waiting for Immigration Processing) 1990s
Anne Turyn
Anne Turyn is a fine art photographer, writer and editor based in New York City.
Her photographic work often combines image and text and moves between apparently objective truths and personal, subjective memories.
The series New York City in 1979 was shot to accompany Kathy Acker’s texts in the ninth issue of Top Stories – a literary chapbook that Turyn founded and edited. Showing the city in black and white, the photographs depict New York’s streets, people, shop windows, architecture and motion, often blurry or from a curious angle, like a passing glimpse or a memory. Capturing the fast-moving nature and complexity of the city, the photos are not only challenging Acker’s text, but stand for themselves. Flashbulb Memories is a reference to a psychological phenomenon in which a person combines a significant incident from world history with detailed pictorial memories. These constructed impressions and memories relate to what the person was doing and seeing at the time they learned about the news. The series is an example of how Turyn’s work combines image and text. The text functions as “objective” truth, the image, on the other hand, as subjective impression, so that a field of tension between reality and fiction is created. Personal and social narratives merge. Illustrated Memories consists of pictures of memories that are composed in the same way as associative pictures from the memory. However, these are invented images that tell a fictional biography and play with the truth claim not only of images, but also of memories.
For Waiting, Turyn has photographed people queuing in front of a federal building in New York, waiting for their immigration procedure to be processed. While taking the photographs, Turyn was standing with her back to the subjects. The series thus depicts a social condition, but at the same time refers through the individuals to human fates and the role of the individual in the global narrative of human history. The series Looking shows people who come to Yellowstone National Park en masse to look for wolves. The voyeuristic moment is reversed as the observers in the images become the observed.
Her prose periodical Top Stories featured one artist per issue, including Kathy Acker, Laurie Anderson, Constance DeJong, Pati Hill, Jenny Holzer, Cookie Mueller, and Richard Prince, among others. Between 1978 and 1991, 29 issues were published.
Her work has been widely exhibited, including at the Museum of Modern Art, The Metropolitan Museum of Art, Kunsthalle Bern, Denver Art Museum, Center for Creative Photography, Walker Art Center, George Eastman Museum, and Los Angeles County Museum of Art.
Waiting (Standing in Line at a Federal Building, Waiting for Immigration Processing) 1990s
Waiting (Standing in Line at a Federal Building, Waiting for Immigration Processing) 1990s
Waiting (Standing in Line at a Federal Building, Waiting for Immigration Processing) 1990s
Waiting (Standing in Line at a Federal Building, Waiting for Immigration Processing) 1990s
Looking Searching for Wolves at Yellowstone National Park 2011-2015
Looking Searching for Wolves at Yellowstone National Park 2011-2015
Looking Searching for Wolves at Yellowstone National Park 2011-2015
Looking Searching for Wolves at Yellowstone National Park 2011-2015
Looking Searching for Wolves at Yellowstone National Park 2011-2015
New York City in 1979 For Top Stories #9 by Kathy Acker 1981
New York City in 1979 For Top Stories #9 by Kathy Acker 1981
New York City in 1979 For Top Stories #9 by Kathy Acker 1981
New York City in 1979 For Top Stories #9 by Kathy Acker 1981
New York City in 1979 For Top Stories #9 by Kathy Acker 1981
New York City in 1979 For Top Stories #9 by Kathy Acker 1981
New York City in 1979 For Top Stories #9 by Kathy Acker 1981
New York City in 1979 For Top Stories #9 by Kathy Acker 1981
New York City in 1979 For Top Stories #9 by Kathy Acker 1981
New York City in 1979 For Top Stories #9 by Kathy Acker 1981
Messages to the Public 1988 Messages to the Public was a series of projects curated by Jane Dickson for Times Square’s Spectacolor board running from 1982 to 1990. The work by over 70 artists was featured including Jenny Holzer, Barbara Kruger, Vito Acconci, Lynne Tillman, the Guerilla Girls, and Anne Turyn.
Messages to the Public 1988
Messages to the Public 1988
Flashbulb Memories 1985-1986
Flashbulb Memories 1985-1986
Flashbulb Memories 1985-1986
Flashbulb Memories 1985-1986
Dear Pen Pal 1979-1980
Dear Pen Pal 1979-1980
Top Stories Archival Material Photos of Greer Lankton by Peter Hujar for #19-20, How to get rid of Pimples, by Cookie Mueller
Top Stories Archival Material Contact sheet 1 14: Gail Vachon holding Lulu Rubin, Lynne Tillman, Donna Wyszomierski, Nancy Peskin, 15: Kathy Acker, Judith Doyle, Nancy Peskin 16: Kathy Acker, Judith Doyle 17: Gail Vachon, Anne Turyn, Bill Currie 18: Donna Wyszomierski, Nancy Peskin, Lynne Tillman Contact sheet 2 20: Constance DeJong, Anne Turyn 21: Gail Vachon holding Lulu Rubin, Anne Turyn, Lynne Tillman 22: Judith Doyle, Kathy Acker, Bill Currie 23: Linda Neaman, Claudia Gould 24: Constance De Jong, Jane Dickson, Anne Turyn
Top Stories Archival Material Letter fron Kathy Acker for #9, N.Y.C. in 1979 1981
Top Stories Archival Material
Top Stories Archival Material Paste-up for #28 Lisa Bloomfield, War Comics (1989)
Anne Turyn
Born 1954
Lives and works in New York City, United States
Solo Exhibitions
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2020
Weiss Berlin, Berlin
Messages to the Public -
2017
Anne Turyn: Top Stories Archive & selected Flashbulb Memories,1979-1991, Southfirst, Brooklyn, NY (Maika Pollack, Curator)
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1993
from ‘Illustrated Memories’ Center for Photography, Woodstock, NY (Leslie Tonkonow, Curator)
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1990
Illustrated Memories, The Other Gallery, New York, NY
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1989
Real Art Ways, Hartford, CT (Leslie Tonkonow)
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1988
Spectacolor Billboard, Times Square, Messages to the Public The Public Art Fund, New York, NY (Jane Dickson, curator)
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1987
International Center for Photography/Midtown Bookstore, New York, NY
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1986
Contemporary Arts Museum, Houston, TX (Linda Cathcart, curator)
Art City, New York, NY(Leslie Tonkonow, curator)
Philadelphia College of Art, Philadelphia, PA -
1985
Windows: Printed Matter, Inc., New York, NY(windows curated by Lucy Lippard)
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1983
Tin Pan Alley, New York, NY
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1982
Windows on Fourteenth Street, The New Museum, New York, NY (windows curated by Lucy Lippard)
Visual Studies Workshop, Rochester, NY
C.E.P.A., Buffalo, NY -
1979
Hallwalls, Buffalo, NY
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2019
Gunther Sachs Kamerakunst Kunsthalle Schweinfurt, Germany
Reading Room, Schafler Gallery, Pratt Institute -
2018
Grass of Memory, Photography Gallery, Pratt Institute, Brooklyn, NY
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2017
Section Littéraire ,Kunsthalle, Bern, Switzerland (Valerie Knoll and Geraldine Tedder, curators)
Faculty Exhibit, Photography Gallery, Pratt Institute, Brooklyn, NY
Picturing Family ,Green Gallery, Yale University School of Art, New Haven, CT (Danna Singer and Anna Shimshak, curators) -
2016
Wrap Around 10,ARENA at Suite 806, New York, NY (Renée Riccardo,curator)
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2014
Artists’ Books & Prints in the Watkinson Library (catalogue) Trinity College, Hartford, CT
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2012
Wish You Were Here, Albright Knox, Buffalo, N.Y.
Yesterday Happened: Remembering H.M. ,Central Square Theater, Cambridge,MA
Faculty Exhibit Photography Gallery, Pratt Institute, Brooklyn, NY -
2010
Pictures by Women: A History of Modern Photography,Museum of Modern Art, New York, NY (Sarah Meister, Eva Respini and Roxana Marcoci, curators)
Between Here and There: Passages in Contemporary Photography ,Metropolitan Museum of Art, New York, NY (Douglas Eckland, curator)
Exposure,Denver Art Museum, Denver, CO.(Eric Paddock, curator)
George Eastman House benefit auction ,Sotheby’s, New York, NY -
2009
Appetite,Mary Brogan Museum, Tallahasee, FL (George Blakely, curator)
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2006
Why Look at Animals?,George Eastman House, Rochester, NY
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2005
Heartfelt,Florida State University Museum of Fine Arts, Tallahasee, FL
Media Arts Faculty,Schafler Gallery, Pratt Institute, Brooklyn, NY -
2004
Excess,Fine Arts Center Galleries, University of Rhode Island
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2003
Small Works,Cooper Union, New York, NY
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2000
Air-Conditioned Interiors , Bonni Benrubi Gallery, New York, NY
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1998
The Photographic Baroque, Omni Gallery, Garden City, NY in conjunction with the Long Island Center of Photography
Back to Back ,DeChiara/Stewart Gallery, New York, NY -
1997
Depth of Field ,Center for Creative Photography, Tucson, AZ Selections from the Permanent Collection
Matters of a Fine Wall ,Bakalar Gallery, Massachusetts College of Art, Boston, MA -
1996
Faculty/Alumni Exhibition, University Art Gallery, S.U.N.Y. at Buffalo, Buffalo, NY
Multiple Exposure:The Group Portrait in Photography,Oakville Galleries, Oakville, Ontario -
1995
The Cultured Tourist,Center for Photography, Woodstock, NY (Leslie Tonkonow, Curator)
Stand Up Straight ,450 Broadway Gallery, New York, NY
Multiple Exposure: The Group Portrait in Photography, Independent Curators, Inc.(traveled, catalogue), Leslie Tonkonow, curator
Hallwalls, 20 Years , Burchfield-Penney Art Center, Buffalo, NY -
1994
The Allan Chasanoff Collection: Tradition and the Unpredictable, Museum of Fine Arts, Houston, TX (catalogue)
Summer Salon Pictures We Like,Bonni Benrubi Gallery, New York, NY
Faculty Show,Proctor Art Center, Bard College, Annandale-on-Hudson, NY -
1993
Selections from the Permanent Collection: Image and Text,Center for Creative Photography, Tucson, AZ
First Sightings: Recent Modern & Contemporary Acquisitions,The Denver Art Museum, Denver, CO -
1992
New Acquisitions/New Work/New Directions,Los Angeles County Museum of Art, Los Angeles, CA
The Magic Object,Los Angeles County Museum of Art, Los Angeles, CA
Representatives: Women Photographers from the Permanent Collection,Center for Creative Photography, Tucson, AZ -
1991
Pleasures and Terrors of Domestic Comfort,The Museum of Modern Art, New York, NY (Peter Galassi, curator) (traveled, catalogue)
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1990
Fantasies, Fables & Fabrications,Museum of Contemporary Photography, Antwerp, Belgium (traveled, catalogue)
Fantasies, Fables & Fabrications,Museum of Contemporary Art, Florence, Italy
Fantasies, Fables & Fabrication, University of Missouri, Gallery of Art, Kansas City, MO
Photography:1980s Discovery and Invention ,Art 21’90, Basel, Switzerland
Re:Memory, Birmingham Museum of Art, Birmingham, AL (Trudy Wilner Stack, curator)
Vanishing Presence,The High Museum, Atlanta, GA (Adam Weinberg, curator)
As Seen on TV ,City Without Walls Gallery, Newark, NJ
Photography Faculty ,Pratt Institute, Schafler Gallery, Brooklyn, NY -
1989
Invention and Continuity in Contemporary Photography,Metropolitan Museum of Art, New York, NY
Vanishing Presence,The Walker Art Center, Minneapolis, MN (Adam Weinberg, Curator)
Vanishing Presence ,Winnipeg Art Gallery, Winnipeg, Manitoba
Literacy on the Table: Cultural Fluency and the Act of Reading,Longwood Arts Gallery, Bronx, NY
Vanishing Presence, The Detroit Institute of the Arts, Detroit, MI (Adam Weinberg, curator)
Themes and Variations, San Francisco Museum of Modern Art, San Francisco, CA
Literacy on the Table,Franklin Furnace, New York, NY (traveled)
Fantasies, Fables & Fabrications,Herter Art Gallery, University of Massachusetts, Amherst, MA (traveled, catalogue)
Acceptable Entertainment,Charles Scott Gallery, Granville Is, British Columbia
Acceptable Entertainment,Independent Curators, Inc.(traveled) -
1988
Acceptable Entertainment ,Alberta College of Art Gallery, Calgary, Alberta A Visible Order,Otis Parsons, Los Angeles, CA (traveled)
Alumni Invitational ,S.U.N.Y. Buffalo, Buffalo, NY
Fatal Strategies,Stux Gallery, New York, NY (Leslie Tonkonow and Klaus Ottmann, curators) -
1987
Arrangements for the Camera,The Baltimore Museum of Art, Baltimore, MD
A Sense of Humor,San Francisco Camerawork, San Francisco, CA
Women at Pratt,Pratt Institute, Brooklyn, NY
Signs of the Real, Gallery 400, University of Chicago (Paul Laster and Renee Riccardo, curators) -
1986
Signs of the Real,White Columns, New York, NY (Paul Laster and Renee Riccardo, curators)
Acceptable Entertainment,Bruno Facchetti Gallery, New York, NY (Paul Laster and Renee Riccardo, curators)
Remembrances of Things Past,Long Beach Museum of Art, Long Beach, CA (catalogue)
Midtown Review, International Center for Photography, New York, NY -
1985
Critical Messages,Chicago Transit Authority, Artemesia Gallery, Chicago, IL
Verbally Charged Images,University Art Gallery, San Diego State University, San Diego, CA (Nina Felshin, curator)
The Family as Subject Matter in Contemporary Art,Washington Project for the Arts, Washington, D.C.(Jock Reynolds and Don Russell, curators)
Group Material:MASS,The New Museum, New York, NY
Light Work-10 Years,Everson Museum, Syracuse, NY -
1984
Verbally Charged Images, Queens Museum, Queens, NY (Independent Curators, Inc.)
Color Photographs: Recent Acquisitions, Museum of Modern Art, New York, NY
Words & Pictures ,Vision Gallery, Boston, MA -
1983
Photography 1983: An Invitational, Montgomery Gallery, Pomona College, Claremont, CA
Wit on Wry: Humor in Photography, Islip Art Museum, East Islip, NY
Language, Drama, Source and Vision,The New Museum, New York, NY -
1982
Stories Your Mother Never Told You,Center for Book Arts, New York, NY (traveled)
Awards, Photography, 1981-82, Nikon House, New York, NY CAPS (traveled) Through the Looking Glass,10 on 8, Windows on Eighth Avenue, New York, NY (Claudia Gould, curator) -
1981
Anne Turyn/Laurie Neaman, Inroads, New York, NY
Ikon/Logos,Alternative Museum, New York, NY
Narratives ,Kathryn Markel Gallery, New York, NY -
1980
Hallwalls-5 Years,The New Museum, New York, NY
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1979
Altered Photographs,P.S.1, Institute for Art and Urban Resources, Long Island City, NY
In Western New York,Albright-Knox Art Gallery, Buffalo, NY -
2012
Pratt Institute Faculty Development Fund Award
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2003
Pratt Institute Faculty Development Fund Award
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1998
Pratt Institute Faculty Development Fund Award
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1994
New York Foundation for the Arts Fellowship
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1991
Mid-Atlantic Arts Foundation Fellowship
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1990
Art Matters, Inc. Grant
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1988
New York Foundation for the Arts Fellowship
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1986
New Face in Fine Art Photography Award, American Photographer magazine
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1985
Washington Project for the Arts, Writer-in-Residence Grant
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1984
LINE II Grant, New York
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1983
Light Work Artist-in-Residence Grant, Syracuse, N.Y.
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1982
C.A.P.S. Fellowship
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1979
Z.B.S. Foundation Artist-in-Residence Grant
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1979
S.U.N.Y. at Buffalo, Graduate Fellowship
Selected Group Exhibitions
Grants and Awards
Education
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BFA, Antioch College
MFA, S.U.N.Y at Buffalo
MA (Linguistics), The Graduate Center of C.U.N.Y
Teaching Positions
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Pratt Institute, Brooklyn, N.Y.
Bard High School Early College Queens, N.Y.
School of Visual Arts, New York, N.Y.
Bard College, Annandale-on-Hudosn, N.Y.
Milton Avery Graduate School on the Arts, Annandale-on- Hudson, N.Y.
Cooper Union, New York, N.Y.
California Institute of the Arts, Santa Clarita, CA.
SUNY Purchase, Purchase, N.Y.
Philadelphia College of the Arts , PA.