Anne Turyn

Anne Turyn is a fine art photographer, writer and editor based in New York City.

Her photographic work often combines image and text and moves between apparently objective truths and personal, subjective memories.
The series New York City in 1979 was shot to accompany Kathy Acker’s texts in the ninth issue of Top Stories – a literary chapbook that Turyn founded and edited. Showing the city in black and white, the photographs depict New York’s streets, people, shop windows, architecture and motion, often blurry or from a curious angle, like a passing glimpse or a memory. Capturing the fast-moving nature and complexity of the city, the photos are not only challenging Acker’s text, but stand for themselves. Flashbulb Memories is a reference to a psychological phenomenon in which a person combines a significant incident from world history with detailed pictorial memories. These constructed impressions and memories relate to what the person was doing and seeing at the time they learned about the news. The series is an example of how Turyn’s work combines image and text. The text functions as “objective” truth, the image, on the other hand, as subjective impression, so that a field of tension between reality and fiction is created. Personal and social narratives merge. Illustrated Memories consists of pictures of memories that are composed in the same way as associative pictures from the memory. However, these are invented images that tell a fictional biography and play with the truth claim not only of images, but also of memories.
For Waiting, Turyn has photographed people queuing in front of a federal building in New York, waiting for their immigration procedure to be processed. While taking the photographs, Turyn was standing with her back to the subjects. The series thus depicts a social condition, but at the same time refers through the individuals to human fates and the role of the individual in the global narrative of human history. The series Looking shows people who come to Yellowstone National Park en masse to look for wolves. The voyeuristic moment is reversed as the observers in the images become the observed.

Her prose periodical Top Stories featured one artist per issue, including Kathy Acker, Laurie Anderson, Constance DeJong, Pati Hill, Jenny Holzer, Cookie Mueller, and Richard Prince, among others. Between 1978 and 1991, 29 issues were published.

Her work has been widely exhibited, including at the Museum of Modern Art, The Metropolitan Museum of Art, Kunsthalle Bern, Denver Art Museum, Center for Creative Photography, Walker Art Center, George Eastman Museum, and Los Angeles County Museum of Art.

Anne Turyn

Born 1954
Lives and works in New York City, United States

Solo Exhibitions

  • 2020

    Weiss Berlin, Berlin
    Messages to the Public

  • 2017

    Anne Turyn: Top Stories Archive & selected Flashbulb Memories,1979-1991, Southfirst, Brooklyn, NY (Maika Pollack, Curator)

  • 1993

    from ‘Illustrated Memories’ Center for Photography, Woodstock, NY (Leslie Tonkonow, Curator)

  • 1990

    Illustrated Memories, The Other Gallery, New York, NY

  • 1989

    Real Art Ways, Hartford, CT (Leslie Tonkonow)

  • 1988

    Spectacolor Billboard, Times Square, Messages to the Public The Public Art Fund, New York, NY (Jane Dickson, curator)

  • 1987

    International Center for Photography/Midtown Bookstore, New York, NY

  • 1986

    Contemporary Arts Museum, Houston, TX (Linda Cathcart, curator)
    Art City, New York, NY(Leslie Tonkonow, curator)
    Philadelphia College of Art, Philadelphia, PA

  • 1985

    Windows: Printed Matter, Inc., New York, NY(windows curated by Lucy Lippard)

  • 1983

    Tin Pan Alley, New York, NY

  • 1982

    Windows on Fourteenth Street, The New Museum, New York, NY (windows curated by Lucy Lippard)
    Visual Studies Workshop, Rochester, NY
    C.E.P.A., Buffalo, NY

  • 1979

    Hallwalls, Buffalo, NY

  • Selected Group Exhibitions

    • 2019

      Gunther Sachs Kamerakunst Kunsthalle Schweinfurt, Germany
      Reading Room, Schafler Gallery, Pratt Institute

    • 2018

      Grass of Memory, Photography Gallery, Pratt Institute, Brooklyn, NY

    • 2017

      Section Littéraire ,Kunsthalle, Bern, Switzerland (Valerie Knoll and Geraldine Tedder, curators)
      Faculty Exhibit, Photography Gallery, Pratt Institute, Brooklyn, NY
      Picturing Family ,Green Gallery, Yale University School of Art, New Haven, CT (Danna Singer and Anna Shimshak, curators)

    • 2016

      Wrap Around 10,ARENA at Suite 806, New York, NY (Renée Riccardo,curator)

    • 2014

      Artists’ Books & Prints in the Watkinson Library (catalogue) Trinity College, Hartford, CT

    • 2012

      Wish You Were Here, Albright Knox, Buffalo, N.Y.
      Yesterday Happened: Remembering H.M. ,Central Square Theater, Cambridge,MA
      Faculty Exhibit Photography Gallery, Pratt Institute, Brooklyn, NY

    • 2010

      Pictures by Women: A History of Modern Photography,Museum of Modern Art, New York, NY (Sarah Meister, Eva Respini and Roxana Marcoci, curators)
      Between Here and There: Passages in Contemporary Photography ,Metropolitan Museum of Art, New York, NY (Douglas Eckland, curator)
      Exposure,Denver Art Museum, Denver, CO.(Eric Paddock, curator)
      George Eastman House benefit auction ,Sotheby’s, New York, NY

    • 2009

      Appetite,Mary Brogan Museum, Tallahasee, FL (George Blakely, curator)

    • 2006

      Why Look at Animals?,George Eastman House, Rochester, NY

    • 2005

      Heartfelt,Florida State University Museum of Fine Arts, Tallahasee, FL
      Media Arts Faculty,Schafler Gallery, Pratt Institute, Brooklyn, NY

    • 2004

      Excess,Fine Arts Center Galleries, University of Rhode Island

    • 2003

      Small Works,Cooper Union, New York, NY

    • 2000

      Air-Conditioned Interiors , Bonni Benrubi Gallery, New York, NY

    • 1998

      The Photographic Baroque, Omni Gallery, Garden City, NY in conjunction with the Long Island Center of Photography
      Back to Back ,DeChiara/Stewart Gallery, New York, NY

    • 1997

      Depth of Field ,Center for Creative Photography, Tucson, AZ Selections from the Permanent Collection
      Matters of a Fine Wall ,Bakalar Gallery, Massachusetts College of Art, Boston, MA

    • 1996

      Faculty/Alumni Exhibition, University Art Gallery, S.U.N.Y. at Buffalo, Buffalo, NY
      Multiple Exposure:The Group Portrait in Photography,Oakville Galleries, Oakville, Ontario

    • 1995

      The Cultured Tourist,Center for Photography, Woodstock, NY (Leslie Tonkonow, Curator)
      Stand Up Straight ,450 Broadway Gallery, New York, NY
      Multiple Exposure: The Group Portrait in Photography, Independent Curators, Inc.(traveled, catalogue), Leslie Tonkonow, curator
      Hallwalls, 20 Years , Burchfield-Penney Art Center, Buffalo, NY

    • 1994

      The Allan Chasanoff Collection: Tradition and the Unpredictable, Museum of Fine Arts, Houston, TX (catalogue)
      Summer Salon Pictures We Like,Bonni Benrubi Gallery, New York, NY
      Faculty Show,Proctor Art Center, Bard College, Annandale-on-Hudson, NY

    • 1993

      Selections from the Permanent Collection: Image and Text,Center for Creative Photography, Tucson, AZ
      First Sightings: Recent Modern & Contemporary Acquisitions,The Denver Art Museum, Denver, CO

    • 1992

      New Acquisitions/New Work/New Directions,Los Angeles County Museum of Art, Los Angeles, CA
      The Magic Object,Los Angeles County Museum of Art, Los Angeles, CA
      Representatives: Women Photographers from the Permanent Collection,Center for Creative Photography, Tucson, AZ

    • 1991

      Pleasures and Terrors of Domestic Comfort,The Museum of Modern Art, New York, NY (Peter Galassi, curator) (traveled, catalogue)

    • 1990

      Fantasies, Fables & Fabrications,Museum of Contemporary Photography, Antwerp, Belgium (traveled, catalogue)
      Fantasies, Fables & Fabrications,Museum of Contemporary Art, Florence, Italy
      Fantasies, Fables & Fabrication, University of Missouri, Gallery of Art, Kansas City, MO
      Photography:1980s Discovery and Invention ,Art 21’90, Basel, Switzerland
      Re:Memory, Birmingham Museum of Art, Birmingham, AL (Trudy Wilner Stack, curator)
      Vanishing Presence,The High Museum, Atlanta, GA (Adam Weinberg, curator)
      As Seen on TV ,City Without Walls Gallery, Newark, NJ
      Photography Faculty ,Pratt Institute, Schafler Gallery, Brooklyn, NY

    • 1989

      Invention and Continuity in Contemporary Photography,Metropolitan Museum of Art, New York, NY
      Vanishing Presence,The Walker Art Center, Minneapolis, MN (Adam Weinberg, Curator)
      Vanishing Presence ,Winnipeg Art Gallery, Winnipeg, Manitoba
      Literacy on the Table: Cultural Fluency and the Act of Reading,Longwood Arts Gallery, Bronx, NY
      Vanishing Presence, The Detroit Institute of the Arts, Detroit, MI (Adam Weinberg, curator)
      Themes and Variations, San Francisco Museum of Modern Art, San Francisco, CA
      Literacy on the Table,Franklin Furnace, New York, NY (traveled)
      Fantasies, Fables & Fabrications,Herter Art Gallery, University of Massachusetts, Amherst, MA (traveled, catalogue)
      Acceptable Entertainment,Charles Scott Gallery, Granville Is, British Columbia
      Acceptable Entertainment,Independent Curators, Inc.(traveled)

    • 1988

      Acceptable Entertainment ,Alberta College of Art Gallery, Calgary, Alberta A Visible Order,Otis Parsons, Los Angeles, CA (traveled)
      Alumni Invitational ,S.U.N.Y. Buffalo, Buffalo, NY
      Fatal Strategies,Stux Gallery, New York, NY (Leslie Tonkonow and Klaus Ottmann, curators)

    • 1987

      Arrangements for the Camera,The Baltimore Museum of Art, Baltimore, MD
      A Sense of Humor,San Francisco Camerawork, San Francisco, CA
      Women at Pratt,Pratt Institute, Brooklyn, NY
      Signs of the Real, Gallery 400, University of Chicago (Paul Laster and Renee Riccardo, curators)

    • 1986

      Signs of the Real,White Columns, New York, NY (Paul Laster and Renee Riccardo, curators)
      Acceptable Entertainment,Bruno Facchetti Gallery, New York, NY (Paul Laster and Renee Riccardo, curators)
      Remembrances of Things Past,Long Beach Museum of Art, Long Beach, CA (catalogue)
      Midtown Review, International Center for Photography, New York, NY

    • 1985

      Critical Messages,Chicago Transit Authority, Artemesia Gallery, Chicago, IL
      Verbally Charged Images,University Art Gallery, San Diego State University, San Diego, CA (Nina Felshin, curator)
      The Family as Subject Matter in Contemporary Art,Washington Project for the Arts, Washington, D.C.(Jock Reynolds and Don Russell, curators)
      Group Material:MASS,The New Museum, New York, NY
      Light Work-10 Years,Everson Museum, Syracuse, NY

    • 1984

      Verbally Charged Images, Queens Museum, Queens, NY (Independent Curators, Inc.)
      Color Photographs: Recent Acquisitions, Museum of Modern Art, New York, NY
      Words & Pictures ,Vision Gallery, Boston, MA

    • 1983

      Photography 1983: An Invitational, Montgomery Gallery, Pomona College, Claremont, CA
      Wit on Wry: Humor in Photography, Islip Art Museum, East Islip, NY
      Language, Drama, Source and Vision,The New Museum, New York, NY

    • 1982

      Stories Your Mother Never Told You,Center for Book Arts, New York, NY (traveled)
      Awards, Photography, 1981-82, Nikon House, New York, NY CAPS (traveled) Through the Looking Glass,10 on 8, Windows on Eighth Avenue, New York, NY (Claudia Gould, curator)

    • 1981

      Anne Turyn/Laurie Neaman, Inroads, New York, NY
      Ikon/Logos,Alternative Museum, New York, NY
      Narratives ,Kathryn Markel Gallery, New York, NY

    • 1980

      Hallwalls-5 Years,The New Museum, New York, NY

    • 1979

      Altered Photographs,P.S.1, Institute for Art and Urban Resources, Long Island City, NY
      In Western New York,Albright-Knox Art Gallery, Buffalo, NY

    • Grants and Awards

      • 2012

        Pratt Institute Faculty Development Fund Award

      • 2003

        Pratt Institute Faculty Development Fund Award

      • 1998

        Pratt Institute Faculty Development Fund Award

      • 1994

        New York Foundation for the Arts Fellowship

      • 1991

        Mid-Atlantic Arts Foundation Fellowship

      • 1990

        Art Matters, Inc. Grant

      • 1988

        New York Foundation for the Arts Fellowship

      • 1986

        New Face in Fine Art Photography Award, American Photographer magazine

      • 1985

        Washington Project for the Arts, Writer-in-Residence Grant

      • 1984

        LINE II Grant, New York

      • 1983

        Light Work Artist-in-Residence Grant, Syracuse, N.Y.

      • 1982

        C.A.P.S. Fellowship

      • 1979

        Z.B.S. Foundation Artist-in-Residence Grant

      • 1979

        S.U.N.Y. at Buffalo, Graduate Fellowship

      Education

        BFA, Antioch College

        MFA, S.U.N.Y at Buffalo

        MA (Linguistics), The Graduate Center of C.U.N.Y

      Teaching Positions

        Pratt Institute, Brooklyn, N.Y.

        Bard High School Early College Queens, N.Y.

        School of Visual Arts, New York, N.Y.

        Bard College, Annandale-on-Hudosn, N.Y.

        Milton Avery Graduate School on the Arts, Annandale-on- Hudson, N.Y.

        Cooper Union, New York, N.Y.

        California Institute of the Arts, Santa Clarita, CA.

        SUNY Purchase, Purchase, N.Y.

        Philadelphia College of the Arts , PA.